I also would like to thank Hiroyuki Imaishi &Toshio Ishizaki for being so amazing. As well I wanted to do a tribute not only to Kill La Kill but one of it’s largest influences. With these pieces I used Key frames and ground work sketches that were used in the production. This week I will be streaming the final episode on my weekly anime stream, so I figured what better way to send off what is one of my absolute favorite things. It takes the heart of EVA, and style of Gurren Lagann and the absurdity of FLCL and gave us something that was really amazing. What can I say about Kill La Kill other than it is a masterpiece and is something that truly does encapsulate the sprit of Gainax whole heartedly. Thank you キルラキル kill la kill Daicon V: Ginax Spirit retrospective trigger khara bones gainax animation tbs tokyo broadcasting station aniplex Hiroyuki Imaishi vs odio anime manga otaku edit japanese aestethic design odioart garage art popart popculture atlartist htxartist LAartistĭaicon V : Gainax Sprit (virtual retrospective) I appreciate you all, and I hope you have a safe and happy week. To work on other creative projects as well as the launch of the patrion in January on the 5 year anniversary of starting this whole thing. Next week I will be showcasing fan arts, and after that I will be taking a break for the holidays. As always, thank you for your time, and if you have read this far thank you for indulging me as I ramble on about one of my heroes. So you too can build that brighter future for yourself. I urge you to seek out his work, and enjoy it on your own time, and in your own way, and maybe you will find a piece of yourself in there too, and maybe you will be inspired to push yourself to the absolute limit. Imaishi is just as influential, and has spearheaded a movement in the industry, a style all his own, and should be seen as one of the industries major contributors world wide as he is in his home country. Anno has a lot of acclaim in the west, and rightly so. I think at the end of the day this is the message in Mr. A coming of age narrative showing us that even tho we may never get to change the past, not to hold on to our mistakes or our grief, and push forward to forge a brighter future for ourselves. When I think of FLCL, TTGL, and KLK I cannot help but think of them as kind of an unofficial trilogy. An anime that not only drips with a sexy style, but also tips it’s head to almost every classic anime and Tokusatsu tropes it could fit into it’s 25 episode run. That of course being the monumental Tengen Toppa Gurren Lagann, and that of course was a huge factor in branching off on his own and helping to found studio Trigger where he and his protege Toshio Ishizaki began work on pushing the limits of their fluid animation style the culminated in what we are taking a look at today and that is of course Kill la Kill. That lead to him directing his own series. Still FLCL would not be the crazy fluid masterpiece it is without Mr. He was after all the key animator on what is probably my favorite scene in EOE. When I think of Mr.Imaishi of course I think of his contributions to Evangelion. Especially when this person has worked on almost everything I adore that has come out of the medium in the last 20 years. Imaishi, someone who has had a huge amount of influence in the animation industry, who worked for and helped found two of the most influential studios in the industry, and are themselves something of an author in the field of animation direction it’s hard not to go the extra mile. So here we are on week three of what seems to have become a retrospective in a retrospective.
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